哈特学校

打击乐器

一瞥

在这个项目中,你将独自学习, 室内乐和管弦乐曲目, 即兴创作, 架子鼓, 还有来自其他文化的打击乐器.

度提供

总学分

音乐学士

音乐硕士

36-50

音乐艺术博士

53-65

艺术家文凭

24-36

概述

Our philosophy regarding percussion education is to be as all-inclusive as possible. 作为哈特的学生, 你通常会独自学习, 室内乐和管弦乐曲目, 还有即兴创作, 架子鼓, 还有来自其他文化的打击乐器 (particularly from Africa, 中东, 古巴, 巴西, 和特立尼达). We routinely hire guest teachers with focused areas of expertise in order to compliment our more traditional offerings. 结果是, 西蒙 percussion alumni have been very successful in finding a variety of jobs throughout the country.

平均招生人数约15人, the 西蒙 percussion program fosters a healthy exchange of ideas and perspectives among the students and allows for personalized attention from the percussion faculty. The teaching/learning experience extends beyond the boundaries of applied lessons, as the 西蒙 percussion faculty employs an "open door" policy with the students--we are here to serve you.

The 西蒙 percussion program enjoys a rich tradition of excellence and diversity dating back more than fifty years, distinguishing 哈特学校 as having one of the first percussion programs and percussion ensembles in the country. Founded and directed by Percussive Arts Society Hall of Fame member Alexander Lepak from 1947-91, the 西蒙 percussion program has been directed by 本杰明•托斯 since 1992.

入学及试镜要求

Please see specific instrument audition requirements by degree below. 了解更多 about the undergraduate or graduate application process, in-person audition dates, and deadlines.

 

  • Snare Drum: Prepared solo or étude, demonstrate orchestral long roll, and sight-reading
  • Mallet Keyboard Instruments: Prepared solo and/or étude, demonstrate scales, and sight-reading
  • Timpani: Prepared solo or étude, and/or orchestral excerpts, demonstrate tuning ability

*Orchestral excerpts and prepared 架子鼓 demonstrations or solos, hand-drumming示威, multiple-percussion solos or studies are not required, 但可能会出现.

请注意: We have students who come to 西蒙 from across the United States and around the world. That is one of the things that makes a 西蒙 education so special. Some students are accepted and arrive having had extensive private study on their instruments. Others have had less experience (and perhaps less conventional training), but their natural abilities and great love of music allow them to make remarkable strides in a short period of time because of the expertise of our faculty.

Our requirements are sometimes quite specific to give applicants a sense of where they should be to enter a high-level conservatory environment. However, we encourage applicants to reach out to our faculty members to discuss audition repertoire. It may be that what you have prepared will suffice. 我们的首要目标是发现潜力, 如果我们觉得有潜力, it is then our responsibility to provide each and every student with the tools to be successful.

If you would like to be in touch with a member of the faculty to discuss your audition repertoire, 请写信至 harttadm@cqkaisi.com.

  • Snare Drum: [1] prepared solo or étude; [2] Demonstrate orchestral long roll; [3] sight-reading
  • Mallet Keyboard Instruments: [1] prepared solo and/or étude with four-锤s; [2] prepared solo and/or étude with two-锤s ; [3] Sight-reading
  • Timpani: [1] prepared solo or étude, and/or orchestral excerpts; [2] Demonstrate tuning ability
  • 管弦乐选段:推荐
  • Prepared 架子鼓 demonstrations or solos; hand-drumming示威; and multiple-percussion solos or studies are not required, 但可能会出现.

设施及设备

  • Two teaching studios: These studios house the percussion faculty's extensive instrument, 锤, and music collection -- all of which are used as a resource for the 西蒙 percussion students.
  • Seven percussion practice rooms: 住房 a large inventory of well-maintained percussion instruments.
  • Personal practice rooms: In addition to the rooms mentioned above, 每个打击乐学生都有一个安全的, personal practice room to be shared with one or two other percussionists.

本·托斯

打击乐教授,

本杰明•托斯, 哈特音乐学院打击乐教授, 立博体育官网, 举办过音乐会, 电台及电视广播, 大师班, 以及许多国家的儿童项目, 横跨六大洲.  His performances have been described as “tour de force” (Gramophone), “引人入胜”(纽约时报), “令人眼花缭乱”(博蒙特企业), “强大的”(路易斯维尔信使杂志), 《立博体育官网》(莱茵法尔茨), “妖娆”(《立博体育官网》), “美丽而不寻常”(华盛顿邮报), “充满激情”(威斯特法伦·布拉特), “绝对准确”(马尔堡日报), “技艺精湛”(BBC杂志), “令人敬畏”(萨吉诺立博网站中文版), 和“令人惊叹的”(克利夫兰诚实商人).

查看教员简介

打击乐老师

本杰明•托斯
Professor of 打击乐器; Chair of 打击乐器; HCD 打击乐器 Department Head
HCD音乐
仪器的研究

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Rogerio Boccato
打击乐老师
仪器的研究

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乔Galeota
打击乐老师
仪器的研究

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泰德Piltzecker
打击乐老师
仪器的研究

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打击乐老师
仪器的研究

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克里斯托弗•纳塔尔

2020年打击乐器表演

克里斯托弗•纳塔尔 had the chance to shadow 西蒙 alumnus and 2018 西蒙 校友 Award Winner Shane Shanahan in the pit for 坏女孩 百老汇. 了解更多 立博体育官网克里斯.

This is the biggest honor I’ve had so far pertaining to my musical experiences, and wouldn’t be possible if not for the contacts I’ve made at 西蒙.

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